In the world of cinema, sound is more than a companion to the visual medium; it is a force that can evoke emotion, build tension, and create atmosphere. While silence possesses its own powerful utility, this article explores the dynamic role of noise—the cacophonous, jarring, and extreme sounds that fill cinematic spaces with unyielding energy and emotion.
The Intimate Relationship between Sound and Emotion
Sound has a profound ability to impact the emotional undertone of a scene. Directors have long used this to their advantage, carefully crafting a film’s soundscape to manipulate audience perception. Noise, often perceived as a mere byproduct of our surroundings, transforms into a deliberate tool in the hands of skilled filmmakers. According to film theorist Michel Chion, “Sound is a little bit like the Greek god Proteus; it is capable of manifesting itself under several forms.”
It is this multifaceted nature that makes noise such a valuable narrative device. The right blend of audio extremes can mirror a character’s internal chaos, highlight psychological turmoil, or heighten suspense in a way that visuals alone cannot achieve.
The Role of Noise in Thrillers and Horror Films
- Building Tension: In thrillers and horror films, noise is often employed to maintain and elevate tension. Consider the dreaded creak of floorboards in an otherwise silent house. These sounds, though familiar, are amplified to create distress and anticipation. For instance, in Alfred Hitchcock’s Psycho, Bernard Herrmann’s shrieking violins during the infamous shower scene epitomize how sound can plunge audiences into panic.
- Unsettling the Audience: In an interview with Film Comment, director Paul Thomas Anderson emphasized how unsettling noises in Phantom Thread were as crucial as dialogue. The infusion of shockingly loud sewing machines and other abrasive noises helped to mirror the film’s tension-rich themes.
Noise as a Character
Beyond serving the narrative, noise can often stand on par with more traditional cinematic elements, such as editing and cinematography, functioning almost as a character in its own right. This is vividly demonstrated in films like Mad Max: Fury Road, where the thundering engines and chaotic war cries are inseparable from the film’s kinetic energy and narrative drive. Such audial bombast places the viewer at the heart of the action, causing them to internalize the film’s relentless forward momentum.
“The sound of Fury Road was, among other things, an extension of the film’s character dynamics and driving forces,” noted Howard Shore in discussing the intricate soundscape.
The Cultural Representation of Noise
Through noise, films can reflect and critique cultural and societal trends. In David Lynch’s works, for instance, the exaggerated industrial sounds and mechanical drones in films like Eraserhead and Mulholland Drive serve as a commentary on the alienating landscape of urban life. The repetitive, grinding noises become metaphorical expressions of the dehumanizing nature of industrialization and modern existence.
Likewise, Stanley Kubrick’s A Clockwork Orange uses stylized noise to highlight the brutality and chaos of the dystopian future it portrays. The film’s notorious juxtaposition of classical music and violent imagery is accentuated by the clashing sounds of ultraviolence, forcing viewers to confront the film’s commentary on free will and societal coercion.
Breaking Boundaries with Experimental Noise
Outside the confines of mainstream cinema, noise has been embraced by the experimental film genre. Avant-garde filmmakers, inspired by movements such as Dadaism and Surrealism, utilize sound to break traditional narrative structures. A prime example is Maya Deren’s iconic film, Meshes of the Afternoon, which eschews conventional storytelling in favor of a dream-like sequence of images set to a dissonant soundtrack, illustrating the liberation of aural elements from visual subordination.
Furthermore, recent pioneers like Lars von Trier in Antichrist and Darren Aronofsky in Mother! push the boundaries of how sound can be manipulated to influence the perception of reality and narrative unraveling. These films use disorienting soundscapes filled with extreme noise to challenge audiences and redefine the limits of film as an art form.
The Future of Noise in Cinema
As technology advances, filmmakers have more tools at their disposal than ever before to experiment with aural extremes. With the introduction of immersive audio technologies like Dolby Atmos, directors can place sound three-dimensionally around the theatre, enhancing the narrative impact. Framestore Sound Designer Niv Adiri notes, “We’re only at the beginning of exploring how auditory experience can complement and extend visual storytelling.” The continuous evolution of sound technologies will undoubtedly lead to new innovations in how noise is employed within storytelling frameworks.
Conclusion
Noise in film is far more than a backdrop or an incidental aspect of the cinematic experience; it is a nuanced, expressive force that conveys emotion, intensifies drama, and provides cultural critique. From the psychological underpinnings of a character’s journey to disorienting atmospherics that reshape audience perceptions, noise in all its cacophonous glory remains an essential component of the storytelling process. As the art of filmmaking continues to evolve, the expressive power of aural extremes will undoubtedly play an influential role in shaping how stories are told.